La Belle et la Bête (1946)

Opening Title: Children believe what we tell them. They have complete faith in us. They believe that a rose plucked from a garden can plunge a family into conflict. They believe that the hands of a human beast will smoke when he slays a victim, and that this will cause the beast shame when a young maiden takes up residence in his home. They believe a thousand other simple things. I ask of you a little of this childlike simplicity, and, to bring us luck, let me speak four truly magic words, childhood’s open sesame: “Once upon a time…”

Before the Disney version was ever dreamt of, Jean Cocteau wrote and directed his own version of Jeanne-Marie Leprince de Beaumont’s classic tale of magic, romance and identity.

Between 1899 and 1913 it had been adapted five times, but Cocteau was the first to make a feature out of it.

Josette Day (Les Parents Terribles) and Jean Marais (Orpheus) star as Belle who sacrifices her freedom for that of her father and the Beast who keeps her locked up in his neglected but magical castle.

This film is sublime in ways that I cannot even begin to do justice to in words. It captures the heart of the fairytale; the humour, the romance, the sinister undercurrent and above all the beauty which is so tantalising and keeps us wanting more. Perhaps unsurprisingly based on his work here, cinematographer Henri Alekan went on to be nominated for an Oscar for his work on Roman Holiday (1953).

Don_Quixote_5

Initially, writer and director Cocteau and Alekan clashed over the visual aspects of the film. Cocteau favoured a hard-edged style while Alekan preferred soft-focus. As director, Cocteau had the final say and after a rough first couple of days Alekan came around to his way of thinking. The look and feel of the film is heavily influenced by the work of Gustave Doré and his illustrations of the nineteenth century French edition of Don Quixote (see right).

To play the part of the Beast, Marais spent five hours getting into his outfit every morning which included being covered in animal hair and wearing fangs that could not be removed until the end of the days shoot. This meant that he could not eat anything more than mulch during the day to avoid damaging the fangs. Marais had quite strong opinions on what the Beast should look like. Supporting Beaumont’s original story, he felt that the Beast should have a head that resembled a stag, with antlers, to draw upon the image of Cernunnos, the Celtic stag-headed god of the woods. However, as with Alekan, Cocteau’s vision won out and the image of the Beast as he is now recognised in Disney’s version was born.

Beauty and the Beast and Belle et la Bete
Beauty and the Beast and Belle et la Bete

I know I have already used the words beautiful and magical to describe this film, but it really is. If you haven’t seen it, you absolutely must! I saw it for the first time at Bath Film Festival and was completely moved.

In case you still had doubts, here is the trailer:

100 Word Review – Big (1988)

This is one of those films that never fails to make me smile.

When Josh, a 12 year old boy, makes a wish on a carnival machine to be big, he doesn’t expect to wake up the next morning an adult (portrayed by a baby faced Tom Hanks). Forced to leave home and find his way on his own.

Co-starring Elizabeth Perkins and Robert Loggia, this film is just lovely. Hanks performance of a 12 year old stranded in an adult world is charming and the whole feature has a magical quality to it. Nominated for 2 Oscars, this film is truly unmissable.
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(directed by Penny Marshall)

Never Seen … My Neighbour Totoro (1988)

About a month ago, I set Callum Dunbar the challenge of watching My Neighbour Totoro, a wonderful family-friendly Japanese animation that has become a cult classic, which he had never seen before. Here’s the conversation we had after he’d watched it.

*WARNING: CONTAINS SPOILERS*

Elspeth H (EH): So today we’re talking about My Neighbour Totoro, the Studio Ghibli classic from 1988. Am I right in thinking you hadn’t heard of Studio Ghibli before?

Callum Dunbar (CD): That’s correct. My cultural knowledge is fairly crap when it comes to Japanese films.

EH: So you hadn’t seen any Japanese films before?

CD: Nope. Nothing. The only Japanese anime I’ve ever seen is Pokemon. If you can call that…

EH: That counts.

CD: My expectations were not very high.

EH: In what way? In terms of the complexity of the animation?

CD: Yes, in terms of the animation I had extremely low expectations.

EH: What was it you were excepting?

CD: I was expecting a Japanese fairytale. A magical Japanese fairytale.

EH: And was it what you were expecting?

CD: Not at all. It was something far more complex and subtle than a fairytale. I guess it was more real and more hopeful than a fairytale as well.

EH: You found it hopeful at the end?

CD Yes, I did. It wasn’t just saying … there was no really hero, which I liked. There was no male character saving a helpless female life.

EH: Which is always refreshing to see.

CD: Which is why Frozen is such a great film because it breaks out of all those kind of tropes which I like.

EH: I guess there are similarities to Frozen, actually, in that there are two sisters and it’s about the elements and nature and the power of those things.

CD: Yes, I agree. And it has an interesting narrative as well. It’s exploratory in a way that other Disney films and other fairytales aren’t. It was far less of a fable. It wasn’t trying to teach me something, it was trying to ask me things which I think is good for children. But it’s equally entertaining for adults.

EH: I was going to ask, you watched it with your daughter didn’t you?

CD: I did.

EH: And how old is she?

CD: Olivia’s just six.

EH: What did she think of it?

CD: She loved it. In fact as soon as the film ended she asked me to restart it for her. She’s never done that before. it’s quite something. To get Olivia to sit still and do anything is a miracle.

EH: What was it she enjoyed about it do you think? Did she empathise with the children or was it the magic of the whole thing?

CD: Yeah, I think the fact it was a young girl. I think she liked Totoro. Actually I know she liked Totoro.

EH: You can get a Totoro onesie by the way, just if you’re thinking birthdays or Christmas…

CD: I think that’s it. I can’t speak for her but I think she liked the imagery, like the cat bus. We both liked that as fans of Alice in Wonderland.

EH: Admittedly I was much older than six when I watched My Neighbour Totoro for the first time, but I still found the cat bus kind of creepy and scary. But she didn’t find that?

CD: No, I don’t think so. But even if she did find it creepy, I think creepy is a good thing. It’s one of those films that expands the way you see things, which I really like. I really liked that. And maybe she was too young to get that but I think it was a good experience for her to watch it. It is exploratory in the art work and so on.

EH: There’s a fair amount of darkness in it as well. There are some really harsh and scary moments.

CD: At the same time, it’s not dragons, it’s real world darkness.

EH: So as you watched it with Olivia, I’m guessing you watched the dubbed rather than the subtitled version?

CD: Yes, the Disney release.

EH: I would recommend watching it by yourself with the subtitles instead. There is definitely a difference. Would you recommend it?

CD. Yes. And I’m not someone who watches films. Definitely watch it with a child as well. I should have asked Olivia what she thought because her reaction was very interesting. There must have been something in it that held her attention which, apart from the obvious ones like Frozen, I’ve not seen her do before.

EH: I’ve heard of other children reacting to it in a similar way. Identifying with the two sisters. I think that kind of childish madness is quite universal.

CD: Absolutely. And imagination. You know it touches on themes of your parents blaming things on your imagination, which I think is something all children can relate to. But it celebrates that as well. In the same way that Roald Dahl’s Matilda does that. And I know Olivia likes that too.

EH: So did it meet all your expectations? How did it stack up?

CD: It exceeded them by a long way.

EH: You like the animation style?

CD: I loved it. I thought the art work was beautiful. I thought the colours were beautiful. I thought the setting was beautiful as well. I just loved it.

EH: So have I created a Ghibli fan?

CD: I think so. I’d definitely watch more Ghibli.

EH: Would you be interested in watching some of the more grown up films? The wonderful thing about Ghibli is it covers quite a wide spectrum, unlike Disney which sticks to children’s films.

CD: I definitely think I would. I like to try all things and I felt like I got something new from that film. Yes. 100%.

EH: Fantastic. Any favourite moments?

CD: The cat bus.

EH: I rather like the dust mites. You know when you walk in to a room and it feels a bit like a lot of dust mites disappearing into corners and cracks?

CD: I like the … it’s hard to explain… I like the narrative and that it wasn’t a cause and effect narrative. So at the end when the girls left the corn on the window sill and the fact that the film didn’t end with them all visiting the mother in hospital. I really liked those things, it wasn’t obvious. And there’s the scene were they find the child’s shoe floating in the pond. It cranks up the tension, is this the younger sister’s shoe? and it’s not. And it just leaves it there. I loved it.

EH: Marks out of 5?

CD: Five. Better than Ghostbusters.

You can find Callum’s blog here or follow him on Twitter here.

We’d love to know what you thought of My Neighbour Totoro the first time you saw it. Was it the first Studio Ghibli you saw? Are you a fan? What do you think of Callum’s first impressions? Do you have a film you think Callum should watch? Please use the comments box below to join in the conversation! 

100 Word Review – Princess Mononoke (1997)

I love this film. It’s another classic eco-warrior princess fairytale from the marvellous Studio Ghibli.

While trying to save his home town from a rampaging bear god, Ashitaka is cursed. Forced to venture into the forest, he becomes caught between two warring forces: the humans and the spirits of the forest, lead by Princess Mononoke.

This fairytale is Grimm in every sense, and as such is not Ghibli’s most family friendly feature. The animation is beautiful and truly transportative, with Hayao Miyazaki the driving force behind it.

If that wasn’t enough, it currently sits number 71 of the top 250 on IMDb.

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100 Word Review – Patema Inverted (2013)

Winner of the best anime at Edinburgh’s Anime film festival, this film is an absolute delight. 

Patema lives with her family in a series of tunnels deep underground. Exploring deeper and deeper she finds herself in  danger of falling off the world, in a place full of people for whom gravity is inverted.

The visuals in this film are breathtaking and Yasuhiro Yoshiura does a wonderful job of directing what could otherwise be a very confused feature.

Currently only available in Japanese, so not suitable for young children, but it’s definitely a great family film and a beautiful Sci Fi.

100 Word Review – Labyrinth (1986)

Naturally, everything David Bowie does is alright by me, and this is no exception.

Sarah (Jennifer Connolly) wishes away her baby brother to the Goblin King Jareth (David Bowie), and realising her mistake attempts to win him back.

Directed by Jim Henson best known for the Muppets, this psychedelic jaunt into the world of the Goblin King is full of weird and wonderful puppets, mysterious mazes and illogical mind-teasers. It fits perfectly in to the slightly-too-creepy children’s film genre that the 1980s are so well known for.

And incase you wanted a little taste, here’s a song for you:

100 Word Review – The Lego Movie (2014)

Everything is awesome.

There is nothing not to love about this film. It may be aimed at children, but once you get passed the obvious marketing ploys there is enough in it for everyone.

Emmett (Chris Pratt) is an average construction worker who accidentally gets stuck to the Piece of Resistance and finds himself helping Batman (Will Arnett), Wyldstyle (Elizabeth Banks) and Unikitty (Alison Brie) to save all of the worlds from Lord Business (Will Ferrell).

Written and directed by Phil Lord and Christopher Miller, the team who directed 21 Jump Street (2012), this stop-motion animation is delightful from beginning to end.

100 Word Review – Despicable Me (2010)

A truly family-friendly film is hard to find, but Despicable Me manages to walk that line between fart-gun jokes and making adults not want to tear their eyes out at the thought of watching that film one more time.

Gru (Steve Carrell) is a bad guy. With his hoard of yellow tic-tac shaped minions, he plans to commit the ultimate crime: stealing the moon! Somehow, he finds himself adopting three young girls who turn his world upside down.

This is a wonderful happy film, that will leave you humming its songs (music by Pharrell Williams) and repeating its oh-so-quotable lines.

100 Word Review – Song of the Sea (2014)

I was lucky enough to see this at Bath Film Festival in November, and have been shouting about it ever since.

This stunning Irish animation follows Saoirsa and her older brother, Ben, and their faithful dog, Cu, on an adventure through a magical world of Selkies (people who become seals) and other figures of Celtic mythology. There is heart-break, there is magic and the most important element of all, family.

Visually mesmerising and with a wonderful cast on vocals, this is a truly lovely film. from the makers of The Secret of Kells, suitable for anyone aged 8 to 80 and beyond!

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