Not quite sure what, if anything, this film has to do with Cloverfield, but it is worth watching for at least one thing; John Goodman.
After being involved in a car crash, Michelle (Mary Elizabeth Winstead) wakes up to find herself locked in a fallout shelter being told by Howard (Goodman) and Emmett (John Gallagher Jr) that outside the world is ending.
Damien Chazelle (Whiplash) is among the screenwriters on this very strange film that sits somewhere in the thriller / comedy / Sci Fi / drama genre. Goodman is equal parts wonderful, hilarious and terrifying.
After seeing a suspect blink sideways, police officer Jay (Will Smith) is inducted into a top secret organisation that keeps the world safe from aliens who already live on Earth, the Men In Black. Tommy Lee Jones co-stars as MIB stalwart, Kay.
Adapted from Lowell Cunningham’s comic by Ed Solomon (Now You See Me, Bill and Ted’s Excellent Adventure) and directed by Barry Sonnefeld (Wild Wild West, Get Shorty), this film is brilliant fun.
Considered part of the Hollywood vs. McCarthyism debate, this film is best enjoyed on a much more basic level.
A doctor returns from a trip to find that the people in his small-town are being replaced by emotionless pod people.
When I say pod people, I mean it. They literally burst out of pods. It’s brilliant.
There’s a lot of the “women are need a man to help them” trope, but despite this it is still a remarkably watchable movie. I have watched this on my TV and on the big screen and it only gets better with every viewing.
To me, this is the perfect movie. Socio-political commentary? Check. Set in an alternate universe? Check. Aliens? Documentary-style camera work? Check. Familial ties broken by an unforeseeable disaster? Check. Endearing hero? Check. Romantic love? Check. Action movie style special effects? Check. It even has exploding cows. Seriously, what more could you ask for in Sci Fi film?
Set in Johannesburg, South Africa, 28 years after an alien spaceship appeared over the city, its inhabitants, “Prawns”, are now considered refugees and are living in slums segregated from the rest of the city. This, Neill Blomkamp’s phenomenal first feature, is an absolute must-see.