100 Word Review – Let The Right One In (2008)

Don’t bother with the Americanised version, there is no way it could out-shine this masterpiece of chilling Swedish filmmaking.

Oskar (Kare Hedebrant) is a young boy living with his mother in an apartment block in early 1980s Stockholm. Bullied at school, he is hopelessly lonely until he meets Eli (Lina Leandersson).

Adapted from a masterful novel by John Ajvide Lindqvist and directed by Tomas Alfredson (Tinker Tailor Soldier Spy) this is a fantasy horror made the way they should be; bleak, at times sweet, and always beautiful. None of those sparkling vampires, the sort in Lindqvist’s world are truly terrifying.

100 Word Review – We are The Best! (2013)

Currently available on Netflix, this is a must-watch film that everyone can enjoy.

Three young girls in 1980s Stockholm join forces against their school, their parents and The Man to create their own punk band. Who cares if they can play their instruments or not? It’s about more than the music.

This film, as the trailer (below) says, is “for anyone who’s ever been 13”, full of anarchy, chaos and humour. It’s written and directed by Lukas Moodysson, based on his wife Coco’s comic book.

It is a guaranteed feel-good film that will leave you feeling empowered and wishing for youth.

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100 Word Review – Dallas Buyers Club (2013)

Winner of three Oscars, including Best Performance by an Actor in a Leading Role for Matthew McConaughey and Best Performance by an Actor in a Supporting Role for Jared Leto (who I did not recognise until the end credits), and nominated for three more (including the illusive Best Picture) this is certainly worth a watch.

Following the life of Ron Woodroof (McConaughey), a homophobic electrician who contracts HIV in 1985 and finds himself supporting the “faggots” he has been so disgusted by in order to get the drugs he needs.

Jean-Marc Vallée’s direction gives the drama a well delivered personal touch. 

100 Word Review – Big (1988)

This is one of those films that never fails to make me smile.

When Josh, a 12 year old boy, makes a wish on a carnival machine to be big, he doesn’t expect to wake up the next morning an adult (portrayed by a baby faced Tom Hanks). Forced to leave home and find his way on his own.

Co-starring Elizabeth Perkins and Robert Loggia, this film is just lovely. Hanks performance of a 12 year old stranded in an adult world is charming and the whole feature has a magical quality to it. Nominated for 2 Oscars, this film is truly unmissable.
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(directed by Penny Marshall)

Never Seen … My Neighbour Totoro (1988)

About a month ago, I set Callum Dunbar the challenge of watching My Neighbour Totoro, a wonderful family-friendly Japanese animation that has become a cult classic, which he had never seen before. Here’s the conversation we had after he’d watched it.

*WARNING: CONTAINS SPOILERS*

Elspeth H (EH): So today we’re talking about My Neighbour Totoro, the Studio Ghibli classic from 1988. Am I right in thinking you hadn’t heard of Studio Ghibli before?

Callum Dunbar (CD): That’s correct. My cultural knowledge is fairly crap when it comes to Japanese films.

EH: So you hadn’t seen any Japanese films before?

CD: Nope. Nothing. The only Japanese anime I’ve ever seen is Pokemon. If you can call that…

EH: That counts.

CD: My expectations were not very high.

EH: In what way? In terms of the complexity of the animation?

CD: Yes, in terms of the animation I had extremely low expectations.

EH: What was it you were excepting?

CD: I was expecting a Japanese fairytale. A magical Japanese fairytale.

EH: And was it what you were expecting?

CD: Not at all. It was something far more complex and subtle than a fairytale. I guess it was more real and more hopeful than a fairytale as well.

EH: You found it hopeful at the end?

CD Yes, I did. It wasn’t just saying … there was no really hero, which I liked. There was no male character saving a helpless female life.

EH: Which is always refreshing to see.

CD: Which is why Frozen is such a great film because it breaks out of all those kind of tropes which I like.

EH: I guess there are similarities to Frozen, actually, in that there are two sisters and it’s about the elements and nature and the power of those things.

CD: Yes, I agree. And it has an interesting narrative as well. It’s exploratory in a way that other Disney films and other fairytales aren’t. It was far less of a fable. It wasn’t trying to teach me something, it was trying to ask me things which I think is good for children. But it’s equally entertaining for adults.

EH: I was going to ask, you watched it with your daughter didn’t you?

CD: I did.

EH: And how old is she?

CD: Olivia’s just six.

EH: What did she think of it?

CD: She loved it. In fact as soon as the film ended she asked me to restart it for her. She’s never done that before. it’s quite something. To get Olivia to sit still and do anything is a miracle.

EH: What was it she enjoyed about it do you think? Did she empathise with the children or was it the magic of the whole thing?

CD: Yeah, I think the fact it was a young girl. I think she liked Totoro. Actually I know she liked Totoro.

EH: You can get a Totoro onesie by the way, just if you’re thinking birthdays or Christmas…

CD: I think that’s it. I can’t speak for her but I think she liked the imagery, like the cat bus. We both liked that as fans of Alice in Wonderland.

EH: Admittedly I was much older than six when I watched My Neighbour Totoro for the first time, but I still found the cat bus kind of creepy and scary. But she didn’t find that?

CD: No, I don’t think so. But even if she did find it creepy, I think creepy is a good thing. It’s one of those films that expands the way you see things, which I really like. I really liked that. And maybe she was too young to get that but I think it was a good experience for her to watch it. It is exploratory in the art work and so on.

EH: There’s a fair amount of darkness in it as well. There are some really harsh and scary moments.

CD: At the same time, it’s not dragons, it’s real world darkness.

EH: So as you watched it with Olivia, I’m guessing you watched the dubbed rather than the subtitled version?

CD: Yes, the Disney release.

EH: I would recommend watching it by yourself with the subtitles instead. There is definitely a difference. Would you recommend it?

CD. Yes. And I’m not someone who watches films. Definitely watch it with a child as well. I should have asked Olivia what she thought because her reaction was very interesting. There must have been something in it that held her attention which, apart from the obvious ones like Frozen, I’ve not seen her do before.

EH: I’ve heard of other children reacting to it in a similar way. Identifying with the two sisters. I think that kind of childish madness is quite universal.

CD: Absolutely. And imagination. You know it touches on themes of your parents blaming things on your imagination, which I think is something all children can relate to. But it celebrates that as well. In the same way that Roald Dahl’s Matilda does that. And I know Olivia likes that too.

EH: So did it meet all your expectations? How did it stack up?

CD: It exceeded them by a long way.

EH: You like the animation style?

CD: I loved it. I thought the art work was beautiful. I thought the colours were beautiful. I thought the setting was beautiful as well. I just loved it.

EH: So have I created a Ghibli fan?

CD: I think so. I’d definitely watch more Ghibli.

EH: Would you be interested in watching some of the more grown up films? The wonderful thing about Ghibli is it covers quite a wide spectrum, unlike Disney which sticks to children’s films.

CD: I definitely think I would. I like to try all things and I felt like I got something new from that film. Yes. 100%.

EH: Fantastic. Any favourite moments?

CD: The cat bus.

EH: I rather like the dust mites. You know when you walk in to a room and it feels a bit like a lot of dust mites disappearing into corners and cracks?

CD: I like the … it’s hard to explain… I like the narrative and that it wasn’t a cause and effect narrative. So at the end when the girls left the corn on the window sill and the fact that the film didn’t end with them all visiting the mother in hospital. I really liked those things, it wasn’t obvious. And there’s the scene were they find the child’s shoe floating in the pond. It cranks up the tension, is this the younger sister’s shoe? and it’s not. And it just leaves it there. I loved it.

EH: Marks out of 5?

CD: Five. Better than Ghostbusters.

You can find Callum’s blog here or follow him on Twitter here.

We’d love to know what you thought of My Neighbour Totoro the first time you saw it. Was it the first Studio Ghibli you saw? Are you a fan? What do you think of Callum’s first impressions? Do you have a film you think Callum should watch? Please use the comments box below to join in the conversation! 

100 Word Review – Pretty In Pink (1986)

John Hughes is, of course, the king of the teen film; this is the jewel in his crown. 

High school student Andie (Molly Ringwald, who else?!) finds herself infatuated with “richy” Blane (Andrew McCarthy) as her childhood friend Duckie (Jon Cryer) vies for her affection.

Silly names aside, all of these characters are endearing in their own way. If on first viewing you find the plot predictable I would remind you that this is the film all other teen flicks are based on.

It has the punchy soundtrack you would expect of the 1980s as well as the fashion sense.

100 Word Review – Labyrinth (1986)

Naturally, everything David Bowie does is alright by me, and this is no exception.

Sarah (Jennifer Connolly) wishes away her baby brother to the Goblin King Jareth (David Bowie), and realising her mistake attempts to win him back.

Directed by Jim Henson best known for the Muppets, this psychedelic jaunt into the world of the Goblin King is full of weird and wonderful puppets, mysterious mazes and illogical mind-teasers. It fits perfectly in to the slightly-too-creepy children’s film genre that the 1980s are so well known for.

And incase you wanted a little taste, here’s a song for you:

100 Word Review – Romancing The Stone (1984)

With promotional images like this, what’s not to love?

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Kathleen Turner and Michael Douglas star in this romantic action adventure about a novelist (Turner) who sets off to rescue her sister from Columbian smugglers. On the way she encounters a soldier-of-fortune (Douglas) and becomes embroiled in an adventure she could never have imagined.

I’ll admit to being rather sceptical going in to this, but it is actually brilliant. Think Indiana Jones, but with more romance and a three dimensional female lead. Why all adventure films aren’t like this one, I don’t know. A wonderful escapist film, and it’s on Netflix.

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100 Word Review – Easy A (2010)

More than your average teen Rom Com. 

Olive (Emma Stone) is a clean-cut student who, in an attempt to save her gay friend Brandon (Dan Byrd) from endless bullying, fakes losing her virginity at a party. But no-one can manipulate the High School rumour mill for ever and get away with it.

There are some seriously sized head-nods to classic John Hughes movies and Nathaniel Hawthorne’s Scarlett Letter (Easy “A”, get it?) plays its part. If Emma Stone wasn’t enough, the supporting cast’s fantastic; Stanley Tucci, Patricia Clarkson, Amanda Bynes, Penn Badgley, Lisa Kudrow, Malcolm McDowell.

Funny, romantic and empowering.

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100 Word Review – The Terminator (1984)

One of the few examples of the first in film franchise not being the best.

Don’t let this put you off. It is a brilliant movie and a corner-stone of 1980s action Sci Fi.

An indestructible cyborg (Arnold Schwarzenegger) is set back from the future to murder Sarah Connor (Linda Hamilton), a waitress who’s unborn son will lead the humans in an war against the machines. Meanwhile a soldier from the future (Michael Biehn) is determined to protect her.

James Cameron’s casting is sublime. Arnie’s unsurprisingly realistic as the emotionless robot. Complete with stop-motion animation, this is an epic action.